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Rebeca Carapiá
Only After the Rain, Instituto Inhotim, Brumadinho, 2024. Photo: Icaro Moreno/Inhotim
Only After the Rain, Instituto Inhotim, Brumadinho, 2024. Photo: Icaro Moreno/Inhotim
Only After the Rain, Instituto Inhotim, 2024. Photo: Icaro Moreno/Inhotim
Only After the Rain, Instituto Inhotim, 2024. Photo: Icaro Moreno/Inhotim
Flutuantes, 38th Panorama da Arte Brasileira, MAC USP, 2024. Photo: Estúdio em Obra/MAM São Paulo
Flutuantes, 38th Panorama da Arte Brasileira, MAC USP, 2024. Photo: Estúdio em Obra/MAM São Paulo
How to Create Aerial Roots, 36th Bienal de São Paulo, 2025. Photo: Diego Bresani
How to Create Aerial Roots, 36th Bienal de São Paulo, 2025. Photo: Diego Bresani

Rebeca
Carapiá

Upcoming

Using mainly iron and copper, Rebeca Carapiá’s work takes the form of sculptures, installations, drawings, and engravings, in which torsion, bonding, and approximation of these materials constitute an abstract calligraphy. With words as their starting point, Carapiá’s pieces inflate, bend, and slice language in an exercise to dislocate it from a linear and monolithic position. As such, her work shapes itself as a distinctive language, the result of the bond between body, terrain, memory, and knowledge stemming from the artist’s own experiences, as well as those imbued in the materials of the pieces.

About the artist

Works

  1. Número 19, 2026
    2025–2026 How to Create Aerial Roots 36th Bienal de São Paulo, 2025 · Almeida & Dale, 2026 · 4 works
  2. Apenas depois da chuva, 2024
    2024 Only After the Rain Instituto Inhotim · 38th Panorama da Arte Brasileira · 3 works
  3. Sustento 4, 2023
    2023 Between Today and Yesterday to Speak of Tomorrow Galeria Leme, São Paulo · 26 works
  4. Rachadura, 2021
    2021–2022 A Boat Made to Sink Centro Cultural São Paulo · 3rd Frestas Triennial · 3 works
  5. Palavras de ferro e ar – Escultura 11, 2020
    2019–2020 How to Put Air into Words Galeria Leme, São Paulo · curated by Diane Lima · 34 works