Skip to contentRebeca CarapiáOnly After the Rain, Instituto Inhotim, Brumadinho, 2024. Photo: Icaro Moreno/InhotimOnly After the Rain, Instituto Inhotim, 2024. Photo: Icaro Moreno/InhotimFlutuantes, 38th Panorama da Arte Brasileira, MAC USP, 2024. Photo: Estúdio em Obra/MAM São PauloHow to Create Aerial Roots, 36th Bienal de São Paulo, 2025. Photo: Diego Bresani
Rebeca Carapiá
Upcoming
07.11.2026 – 09.01.2027Solo showI Still Want to Dive into the DistanceAlmeida & Dale, Rua Fradique Coutinho 1430, São PauloA new body of sculptures. Critical essay by Cindy Sissokho.
Using mainly iron and copper, Rebeca Carapiá’s work takes the form of sculptures, installations, drawings, and engravings, in which torsion, bonding, and approximation of these materials constitute an abstract calligraphy. With words as their starting point, Carapiá’s pieces inflate, bend, and slice language in an exercise to dislocate it from a linear and monolithic position. As such, her work shapes itself as a distinctive language, the result of the bond between body, terrain, memory, and knowledge stemming from the artist’s own experiences, as well as those imbued in the materials of the pieces.